Went to a press screening for a Chinese film called Still Life today. Stark, existential, with the occasional surreal flourish and a distinct rural/industrial, 21st century, Yangtze River, Three Gorges Dam-doomed village vibe. Can't say more -- they made me swear I'd only write a capsule this early in the film festival (SFIFF that is).
Some Universal Films
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*Night Key (1937) - 5.5*
The Laemmle family had finally been forced to sell Universal in 1936
bringing to an end a remarkable run of films since Carl La...
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