Went to a press screening for a Chinese film called Still Life today. Stark, existential, with the occasional surreal flourish and a distinct rural/industrial, 21st century, Yangtze River, Three Gorges Dam-doomed village vibe. Can't say more -- they made me swear I'd only write a capsule this early in the film festival (SFIFF that is).
THROWBACK THURSDAY / NOIR CITY 14 (2016): Humoresque (1946)—Eddie Muller’s
Introduction
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I first saw *Humoresque (1946)* projected large at the Castro Theatre at
the 14th edition of Noir City (2016) and never got around to transcribing
Eddie ...
13 hours ago
