scathing piece in Variety (and elsewhere), I went to see 47 Ronin. And you know what? It wasn’t that bad. Sure, it was a lord-o-the-rings, 21st century 3D hyper-cinema blow-out affair, but you gotta expect that. And as much as I hate holding those dumb glasses over my own dumb glasses, I had a good time.
Mind you, I’ve seen quite a few versions of this story (popularly known in Japan as the Chushingura). But with Tadanobu Asano as the hated villain Kira, and Hiroyuki Sanada as the heroic avenger Oishi, man, this is a modern day revision I can live with.
Of course, Keanu Reeves is a piece of wood, but who cares? His character doesn’t get in the way of the central storyline. In fact, he hasn’t been this much fun since The Matrix.
I think critic Ignatiy Vishnevetsky captured the zeitgeist: “A multi-colored downer fantasy which combines bursts of imagination with a bleak worldview, resulting in something that rarely feels mainstream.” Yeah, that’s it. The film follows the original 18th century story of bleak, dutiful revenge with a faithfulness I did not expect. Watching this film reminded me of the dismal sales of my own samurai film books: This stuff doesn’t work for Americans. There is a deep cynicism that permeates Japanese period cinema that I like, but my fellow citizens do not. Put me back in my cage.
So if you’re asking me not if I should check this movie out, but, more importantly, why I should check it out, I would say because, despite the animated dragons and shit, there is a dedication here, a respect for the centuries-old subject matter, and an effort to integrate top-notch Japanese actors into the proceedings. These elements alone make this film a worthwhile experience.
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